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Official Selection · Agite y Sirva 2018


La pantalla como espacio coreográfico (The screen as a choreographic space) is one of the axes of the cinema-choreographic creation, the works gathered in this program give an account of designs, configurations and corporal-visual compositions of movement and gesture as a cinematic image, in which the landscape and the architecture for the screen make up and offer specific spatio-temporal stories and dialogues for this medium.

The program Correspondencias y trascendencias (Correspondences and transcendences) plays, in part, with the sensitive and visible dialectics between female bodies, intergenerational and intercultural conversations that multiply voices and therefore listen, through time, fictions, facts.

Cine-coroegrafías en tiempo fílmico (Cine-choreographies in filmic time) alludes to the latter as a trigger for unusual rhythms, dilations, suspensions, imaginations. In solo, duets and trios, condensations beyond the ellipsis: questions about the temporality of the image of the bodies in state of dance and scene, for the gaze of the body-camera.

What kind of corporalities, presences, is it possible to build through screendance? What to recover and what to register as present body and event data? With the premises of the impossibility of archiving the body, and of the documentation of a body or a dance, it always operates in fragments and partialities, as well as its reconstruction through audiovisual montage, the works that make up the program Presencias en resistencia (Presences in resistance), take us to phantasmagorical states of the psyche and the world, transfigurations through sinuous paths and memories of disenchantment, to finally lead to what the multiple manifestations of resistance can: poetics in awakening and in survival. Bodies in resistance.

Ximena Monroy and Paulina Rucarba
Screendance Touring Festival 2018
Agite y Sirva 10 Years



La pantalla como espacio coreográfico
ARK[xy] Benjamin Juhel-Mélodie Serena | 5 min | Francia | 2016
In the House of Mantegna Michele Manzini | 7 min | Italia | 2017
PRIMER MOVIMIENTO Octavio Iturbe-Tania Solomonoff-Eve Bonneau | 12 min | México | 2017
SerSiente Karen Lugo | 5 min | México | 2017
Digital Afterlives Richard James Allen-Karen Pearlman | 5 min | Australia | 2017
Sublimation Lisa Kusanagi-Jasmine Powell-Elise Schweitzer | 5 min | USA | 2014
FRENESÍ Colectivo tropical | 6 min | México | 2018
Landscape without Horizon Jordan Fuchs-Yeajean Choi | 5 min | USA | 2017
Elevate B Chao-Hui Ting/Chih-Chia Huang | 7 min | Taiwán | 2017

Correspondencias y trascendencias
Double Up Francesca Penzani | 15 min | USA | 2017
Releasing Her Archive Owa Barua-Carol Brown | 9 min | Reino Unido | 2017
El ciclo del viento Ana del Aire-Josué Hermes | 3 min | México | 2018
MANADA Patricia Campos-Francisco Ríos | 11 min | Chile | 2017
Cutting Path Cyntia Botello-Francesca Penzani | 4 min | Suecia-México | 2018
Please Yes: étude aux appuis Jasmine Morand-Blas Payri | 6 min | Suiza | 2018 
VANITAS Vinicius Cardoso-Samuel Kavalerski | 6 min | Brasil | 2017
WIM Lut Vandekeybus-Wim Vandekeybus | 115 min | Bélgica | 2016
  
Cine-coreografías en tiempo fílmico
Fullmoon Benito González | 5 min | México | 2017
Rezonans María Mayoral-Ewa Wolf | 7 min | México-Polonia | 2017
Soliloquio Lorena López Aguado | 5 min | México | 2018
Golem Alexander Altamirano-Carmen Ixchel Maya | 1 min | México | 2017
we are made Giacomo Corvaia-Cie. Toula Limnaios | 39 min | Alemania | 2016
 
Presencias en resistencia
Rose Alessandro Bo-Marinés Cardoso | 6 min | México | 2018
The Magma Chamber Shantala Pèpe-Antonin De Bemels | 19 min | Bélgica-Francia | 2018
PRESENCIAS Araceli J. Mendoza | 9 min | México | 2017
La comunidad del oído atento Gabriela Domínguez Ruvalcaba-Denisse Cárdenas Landeros-Amira Ramírez Salgado | 21 min | México | 2018
La Ronde Mathieu Bouvier-Yasmine Hugonnet | 17 min | Suiza | 2017